To Defib To Click Poetry

Click for More Joy

David Knoebel @ Defib March 19, 2000

 

 

Part 1

Subject: rescheduling

Date: Mon, 20 Mar 2000 01:43:19 -0800/

From: "Jim Andrews" <jim@vispo.com>

David, would you like to reschedule for next Sunday?

My apologies for the applet.

Jim

 

Subject: Re: rescheduling

Date: Mon, 20 Mar 2000 13:12:48 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

No apologies necessary, Jim. Stuff happens; it's one of the joys of

being in this line of work. Next Sunday won't work for me, though.

 

I felt discouraged yesterday, until I looked over the elogs. The

messages there constitute a good chat, although not in the form we

expected. The last section alone, beginning with your notice of a chat

in fifteen minutes, through the ensuing intimations of trouble, on to

the decision to cancel, and finally the message from Helen announcing a

subsequent chat (la la la la life goes on), makes a good read. The

earlier list messages cover a lot of the issues regarding my work.

 

I'd be happy to call that the chat. For the archive, I'd put all the

messages together with some annotations, images, and a small 3D piece

that incorporates a selection of the foregoing messages. Perhaps a note

at the beginning to explain the deviation from the norm.

 

What do you think?

 

David

 

Subject: Re: rescheduling

Date: Mon, 20 Mar 2000 20:23:13 -0800

From: "Jim Andrews" <jim@vispo.com>

It's weird enough for me, David. Sounds quite interesting, actually, though I

had to think about it.

 

Send it my way, man.

 

The more I think about it the more I like it.

 

Regards,

 

Jim.

 

Click for A Fine View

 

Part 2:

Subject: [webartery] David Knoebel at Defib this Sunday

Date: Tue, 14 Mar 2000 21:42:20 -0800

From: "Jim Andrews" <jim@vispo.com>

David Knoebel is featured at Defib this coming Sunday. As with the session with

Carolyn, I think it could be good to take up David's concerns this week prior to

Defib. And David is going to keep an eye on the email at webartery and perhaps

incorporate parts of it into the transcript.

 

David, thought I'd let you have the first stab at this. What have you been up to

lately?

 

Regards,

Jim.

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 12:48:52 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

> What have you been up to lately?

Pulling my hair out mostly, but recent VRML pieces are listed below,

along with indoor/outdoor poems. The VRML poems display with a

java applet. No VRML plugin is required, just a java enabled browser.

 

I've always been skeptical about interactivity as implemented through

clicks and overs. Not that I'm against that sort of interactivity;

rather, I'm cautious about when and how I use it. I try to remember that

the essential interactivity is in the mind of the beholder.

 

My pieces are usually short. I think I'm a genetic minimalist (less is

more, and more is better), but I think this preference also comes from

the recognition that a lot of people don't read very far into a

multi-page work. I build my pieces by putting together a few simple

elements. The interest for me is in the elements' interactions. These

are generally not simple and their complexity may increase geometrically

as the number of elements increases arithmetically. When I start to make

larger pieces, I'll build them by putting smaller ones together, on the

model of, say, a coral reef. The reader could start anywhere in the

structure, stay for a short time or a longer time, and come away with a

complete experience in either case.

 

I'm more a handyman than an architect. I have great difficulty with

theory as propounded by Foucault et al. I just can't make it work for

me. My eyes glaze over and my mind skids across the prose like Bambi on

ice. I'd rather read a phone book. I can journey from the great

continent of Smith to the small island chain of Smolinsky, thence to the

lonely Szyska and on to the sudden apparition of Taafe. Other sources of

inspiration are maps, dictionaries, mail order catalogs, and hot

showers.

 

VRML POEMS

See This

http://www.clickpoetry.com/seethis/seethis.html

A Fine View

http://www.clickpoetry.com/fineview/fineview.html

Oh, ver 3.14

http://www.clickpoetry.com/ohanf/oh.html

 

INDOOR/OUTDOOR POEMS:

Dream/Fall

http://www.clickpoetry.com/dream/dream.html

More Joy

http://www.clickpoetry.com/morejoy/morejoy.html

Three Billboards

http://www.clickpoetry.com/clickbb0.html

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date Wed, 15 Mar 2000 15:23:50

From: Ted Warnell <warnell@memlane.com>

Alas, David -- my Java-enabled browser hates Java,

and I am not able to run your newest VRMLs, though

still am able to view your other fine works... Ted

(Three Billboards is super!)

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 17:32:39

From: Ted Warnell <warnell@memlane.com>

"...when we drive down the street, we are surrounded by words that pass

us by. Driving home, we encounter the same signs we saw on the way to

work, in reverse order. Trips around town, to the gas station, the

supermarket, or the post office, reveal additional orderings of the

same set of signs. The words become part of other events in our field

of vision. They are no longer bound to a single continuous surface or

to a preordained sequence."

- David Knoebel

David, have long been intrigued by this idea -- that you relate words

on signs (and elsewhere in the world) to words (typically) in books

or on the screen -- do you see all these words in space as a kind

of poetry (of sorts) -- do you take inspiration from this ? Ted

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 16:42:01 -0600

From: Thomas Bell <trbell@home.com>

David,

On the whole

simple but elegant

minimal

fine FINE

work. No need to apologize for 'lack of interest in theory - I think

you've put it into practice, if there is an it to it.

Have you thought about doing print or printable versions of any of

them? I'd be interested in any outcome.

tom

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 09:51:50 +1100

From: The Fleshtronic <mezandwalt@wollongong.starway.net.au>

At 04:42 PM 15/03/00 -0600, you wrote:

>From: Thomas Bell <trbell@home.com>

>

>David,

> On the whole

>simple but elegant

>minimal

>fine FINE

>work.

mammoth dittoh.

[mez, humbelled]

 

Subject: RE: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 14:57:15 -0800

From: "bill marsh" <wmarsh@nu.edu>

funny -- after viewing david's 3d pieces for about 5 minutes, simple

scrolling through the email window gave me a 3d effect -- i guess that's

something like "sea legs" or "elevator vertigo" -- anyone else finding

themselves needing to be "straightened" after viewing 3d?

 

Subject: RE: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 15:04:18 -0800

From: "Talan Memmott" talan@percepticon.com

> From: "bill marsh" <wmarsh@nu.edu>

>

> funny -- after viewing david's 3d pieces for about 5 minutes, simple

> scrolling through the email window gave me a 3d effect -- i

> guess that's

> something like "sea legs" or "elevator vertigo" -- anyone else finding

> themselves needing to be "straightened" after viewing 3d?

>

Felt it a bit.... Did find myself dodging words when I was looking at the

pieces... Took some dramamine and now I am all better.

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 20:29:47 -0500

From: Jennifer Ley <anemone@sprynet.com>

David Knoebel wrote:

>

> See This

> http://www.clickpoetry.com/seethis/seethis.html

I liked the writing in this David ... and felt like Mom myself ... people

are right about the vertigo ... now you've said you like a minimal esthetic

and I can't help but wonder what this would look like with some out of

focus season light ... streaks etc. Probably too literal ;)

Jen

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Wed, 15 Mar 2000 22:47:26 -0800

From: "Jim Andrews" <jim@vispo.com>

> From: David Knoebel <clkpoet@ptdprolog.net>

>

> > What have you been up to lately?

>

> Pulling my hair out mostly, but recent VRML pieces are listed below,

> along with indoor/outdoor poems. The VRML poems display with a

> java applet. No VRML plugin is required, just a java enabled browser.

I think I ran across some of your hair in space there, David. Nice work!

> I've always been skeptical about interactivity as implemented through

> clicks and overs. Not that I'm against that sort of interactivity;

> rather, I'm cautious about when and how I use it. I try to remember that

> the essential interactivity is in the mind of the beholder.

Personally I like pieces that involve that sort of reading, David, if the

available choices are revelatory or delightfully surprising or lead me into an

engrossing construction. To think in these terms, also, I find interesting as a

maker of things. The essential interactivity, yes, it's in the mind of the

beholder, but not just 'beholder': the maker in interaction with the piece and

with the writer.

> My pieces are usually short.

> I think I'm a genetic minimalist (less is

> more, and more is better), but I think this preference also comes from

> the recognition that a lot of people don't read very far into a

> multi-page work.

Depends on the piece and the reader. Some people seem to like long works whether

webified or novelistic. But, like you, my own imagination inclines me to shorter

work, just seems that's how I work; seems to be the same with you. Part of the

idea being to pack lots into one page, at least conceptually.

> I build my pieces by putting together a few simple

> elements. The interest for me is in the elements' interactions.

Ah, so it's the interaction of the things themselves that you focus on. And the

contemplation of that. Well, you know, you could say the same, really, when the

interaction also involves clicking around or mouseover, I mean the interaction

is not just between the piece and the wreader but between the things on screen,

otherwise it's hard to see how the action could be revealing or constructive.

> These are generally not simple and their complexity may increase

> geometrically, as the number of elements increases arithmetically.

Well yes indeed, there being 2 to the n subsets of n things.

> When I start to make larger pieces, I'll build them by putting smaller ones together,

> on the model of, say, a coral reef. The reader could start anywhere in the

> structure, stay for a short time or a longer time, and come away with a

> complete experience in either case.

Nice. Not a rhizomatic but a coral reefic, sort of fractal. How is the

completion in the part or the shorter vs the longer time? Can you give an

example?

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 04:39:48 -0500

From: Barry Smylie <barrysmylie@home.com>

> > http://www.clickpoetry.com/seethis/seethis.html

Beauties...

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 14:12:11 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

Ted wrote:

> do you see all these words in space as a kind of poetry (of sorts)

I see the potential. It's a field of words and there's poetry to be

found there. The spaces between the words and the differing media

contribute expressive possibilities. I'd like to do all the signs in

Times Square, starting with the street signs, continuing on through the

store signs and then to those big billboards. A wordscape minus the

adverts.

Tom wrote:

> Have you thought about doing print or printable versions of any of them?

Odd. I know you've been working on that, but I hadn't thought of it in

terms of my own work until you mentioned it. Thanks.

 

Bill and Talan and Jen referred to:

> "sea legs" or "elevator vertigo"

Glad you pointed this out. I'll see if it can be ameliorated somehow.

Jim wrote:

> I like pieces that involve that sort of reading, if the available choices are

revelatory or delightfully surprising or lead me into an

engrossing construction.

Me too, but my own work hasn't gotten me there yet.

> > The reader could start anywhere in the structure, stay for a short time or a longer

time, and come away with a complete experience in either case.

>

> Not a rhizomatic but a coral reefic, sort of fractal. How is the completion in the part

or the shorter vs the longer time? Can you give an example?

This is one of those ideas that's simmering away in the back of my head.

Not sure how to implement it, but an example from fiction might be a

collection of short stories, each of which is complete in itself, whose

meanings are enhanced by the other stories in the collection. I'm not

thinking of simple juxtaposition (although that can be compelling- think

of the umbrella and sewing machine together on the operating table), but

of some encompassing, yet not too rigid, structural principle.

Jen wrote:

> I can't help but wonder what this would look like with some out of focus season light

Funny you should say that. I started out with color and a background. I

often do, but they get deleted along with a bunch of other stuff. I like

revising as much as (maybe more than) I like writing the first draft. If

I were a whittler, I'd start with a log and end with a toothpick.

Thanks all for your thoughtful comments. I'm looking forward to live

chat Sunday.

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 17:46:37

From: Ted Warnell <warnell@memlane.com>

>From: Jennifer Ley <anemone@sprynet.com>

>

>

>

>bill marsh wrote:

>>

>> From: "bill marsh" <wmarsh@nu.edu>

>>

>> > Bill and Talan and Jen referred to:

>> >

>> > > "sea legs" or "elevator vertigo"

>> >

>> > Glad you pointed this out. I'll see if it can be ameliorated somehow.

>>

>> david -- just so you know, this wasn't a critique of the 3d pieces, but

>> rather, for my sake at least, a phenomenon i experience when coming back to

>> a 2d space

>

>

>and I didn't mean it as a critique/thing to be changed either ... just

>an observation ;) mess with us David ... we love it !!

>

>Jennifer

David --

looks like you're on to something... and I haven't even seen it,

but love to be messed with anyway :)

T.

 

Subject: RE: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 15:31:46 -0800

From: "bill marsh" wmarsh@nu.edu

> Bill and Talan and Jen referred to:

>

> > "sea legs" or "elevator vertigo"

>

> Glad you pointed this out. I'll see if it can be ameliorated somehow.

david -- just so you know, this wasn't a critique of the 3d pieces, but

rather, for my sake at least, a phenomenon i experience when coming back to

a 2d space (like email) after viewing your work -- my eyes for a few seconds

registerd 3d movement even though i was back in a 2d space -- twas an echo

of the previous experience registering on the current -- thus the metaphor

of sea legs...

i *liked* it (he says with a drunken grin)

bill

 

Subject: RE: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 15:55:43 -0800

From: "Talan Memmott" <talan@percepticon.com>

> From: "bill marsh" <wmarsh@nu.edu>

>

> david -- just so you know, this wasn't a critique of the 3d

> pieces, but

> rather, for my sake at least, a phenomenon i experience when

> coming back to

> a 2d space (like email) after viewing your work -- my eyes

> for a few seconds

> registerd 3d movement even though i was back in a 2d space --

> twas an echo

> of the previous experience registering on the current -- thus

> the metaphor

> of sea legs...

>

> i *liked* it (he says with a drunken grin)

>

> bill

>

i second, bill's feelings here. something like visual inertia....

 

Subject: Re: [webartery] David Knoebel at Defib this Sunday

Date: Thu, 16 Mar 2000 19:21:22 -0500

From: Jennifer Ley <anemone@sprynet.com>

bill marsh wrote:

>

> From: "bill marsh" <wmarsh@nu.edu>

>

> > Bill and Talan and Jen referred to:

> >

> > > "sea legs" or "elevator vertigo"

> >

> > Glad you pointed this out. I'll see if it can be ameliorated somehow.

>

> david -- just so you know, this wasn't a critique of the 3d pieces, but

> rather, for my sake at least, a phenomenon i experience when coming back to

> a 2d space

 

and I didn't mean it as a critique/thing to be changed either ... just

an observation ;) mess with us David ... we love it !!

Jennifer

 

Subject: [webartery] spirit bones and mojo shards

Date: Fri, 17 Mar 2000 00:04:22 -0800

From: "Jim Andrews" <jim@vispo.com>

I like your point about the virtue of short pieces, David. You say that whether

they visit briefly or for a longer time, they can still sort a git it. Like if

you hear a song, you just have to hear it for a couple of minutes to get the

spirit of it, whether it's by a great composer or somebody else. Do the doo the

spirit mind most and all the rest is not extra but the line of the spirit is

strongest and bones the rest of it.

Cool.

J

 

Click to see a moving emoticon.

 

Part 3:

Subject: [webartery] DAVID KNOEBEL AT DEFIB THIS SUNDAY

Date: Sat, 18 Mar 2000 20:41:38 -0800

From: "Jim Andrews" <jim@vispo.com>

This Sunday (March 19) the feature at Defib is David Knoebel. David's URL for

Click Poetry is http://www.clickpoetry.com

 

David says:

"I'm interested in hearing about peoples' experience of rhythms in their

creative cycles, and about dealing with creative down time. Also useful

tools, setups, and strategies for getting work out at crunch time. Day

to day stuff. The Car Guys. "

 

I'm also interested in hearing more about the recent vrml and spatial work, and

about his sign work. I'm sure you'll have your own questions and issues for

David tomorrow.

 

Hope to see you in the Defib dinghy.

Point your browser at http://webartery.com and click Defib.

Defib: 1st and 3rd Sundays

12 noon pst

3pm EST

8pm GMT

6am Queensland

 

Subject: [webartery] Defib

Date: Sun, 19 Mar 2000 11:44:35 -0800

From: "Jim Andrews" <jim@vispo.com>

Got yer coffee? Defib sails in 15 minutes (12noon pst, 3pm est, 8pm gmt, 6am

Queensland).

David Knoebel is featured this week.

Point your browser at http://webartery.com and click Defib.

We'll be doing a shorter Defib than usual today, it will last an hour.

j

 

Subject: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 11:55:06 -0800

From: "Jim Andrews" <jim@vispo.com>

David, there seems to be some problem with the Defib applet today. Will wait a

few minutes. Suggestions?

I note that it isn't loading at the host site either, http://irc.ram-page.com

Jim.

 

Subject: Re: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 15:14:37 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

Wondered why I haven't been able to get on. It's 312PM here now. I'll

keep trying.

 

Subject: Re: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 15:17:22 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

FWIW, it worked this morning.

 

Subject: Re: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 00:29:12 -0800

From: "Marjorie C. Luesebrink" <luesebr1@ix.netcom.com>

Dear Jim--

I guess this message is for everyone? I can't get anything to happen on the Defib

site--?

 

Subject: Re: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 13:16:53

From: Ted Warnell <warnell@memlane.com>

Direct IRC is possible -- via mIRC or similar --

the problem is with the Web/java...

Ted

 

Subject: Re: [webartery] problems with Defib applet

Date: Sun, 19 Mar 2000 15:23:01 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

> Direct IRC is possible -- via mIRC or similar --

I don't have the IRC client installed. !@#$%

 

Subject: [webartery] problems with Defib applet today

Date: Sun, 19 Mar 2000 12:09:14 -0800

From: "Jim Andrews" <jim@vispo.com>

Alternatives:

1. Reschedule

2. Anybody have an alternate chat site we can use?

David, how do you feel?

 

Subject: Re: [webartery] problems with Defib applet today

Date: Sun, 19 Mar 2000 15:20:09 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

I'd suggest re-scheduling. We may not be able to notify all the others

of the new address, if they don't check in here.

 

Subject: [webartery] Defib is cancelled today

Date: Sun, 19 Mar 2000 12:16:17 -0800

From: "Jim Andrews" <jim@vispo.com>

OK, David. Apologies to you!

We will

1. Reschedule

2. Secure an alternate chat site not through irc.ram-page.com (this will happen

again). Suggestions?

 

Subject: Re: [webartery] Defib is cancelled today

Date: Sun, 19 Mar 2000 15:32:30 -0500

From: David Knoebel <clkpoet@ptdprolog.net>

Sigh. Thanks to all of you who tried to attend. Looking forward to

Loss's show on April 2.

best,

David

 

Subject: Re: [webartery] Defib is cancelled today

Date: Sun, 19 Mar 2000 13:44:32

From: Ted Warnell <warnell@memlane.com>

Yeah, Defib blew a fuse today -- sorry to miss you, David, and look

forward to whenever it can be done, and to hearing Loss (that's

hearing Loss not hearing loss) -- whatever... all best,

Ted

 

Subject: Re: [webartery] Defib is cancelled today

Date: Sun, 19 Mar 2000 12:38:04 -0800

From: Randy Adams <runran@mail.island.net>

:-(

 

Subject: [webartery] Defib cancelled

Date: Sun, 19 Mar 2000 20:51:37 -0000

From: "Whitehead, Helen" <helen.whitehead@ntu.ac.uk>

So sorry Defib is cancelled, I was having trouble getting in, thought it was

just me....

Well, if you're missing your chat fix tonight come and meet the new trAce

writer-in-residence, Alan McDonald, at the trAce chatroom, 9 pm GMT.

http://hum-webboard.ntu.ac.uk/~trace

and click on Chat for the applet version

or IRC to hum-webboard.ntu.ac.uk:7000 and join the #trace channel

Helen

 

End

 

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