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Session Start: Sun Dec 05 12:15:06 1999
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***Now talking in #defib
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***ChanServ changes topic to 'Miekal And, Sun Dec 5@NoonPST [Jim].'
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[12:24] |
Surd |
Collaboration, miekal, what is it to you?
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[12:24] |
mIEKAL |
my relation to collaboration has changed over the years.
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[12:24] |
Surd |
howso?
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[12:24] |
mIEKAL |
more than half the things Ive done have been collabs..
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[12:25] |
Surd |
Going back all the way?
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[12:25] |
mIEKAL |
about 1990 or so I go to a point where I was not really interested in solo works any longer,
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[12:26] |
mIEKAL |
it also coincided with the completion of a novel where the last line was, "& the next book will contain no recognizable words"
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[12:26] |
mIEKAL |
I took about a 5 year break from all text.
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[12:27] |
mIEKAL |
& since then Ive almost exclusively been doing collaborations.
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[12:27] |
mIEKAL |
it locates my imagination outside of myself.
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[12:27] |
mIEKAL |
that's the real attraction
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[12:27] |
Surd |
Doesn't work do that anyway?
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[12:28] |
mIEKAL |
solo work?
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[12:28] |
Surd |
The object.
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[12:28] |
billseye |
miekal, i'd like to know what that means literally, to "locate imagination outside of oneself" -- how is the thinking different?
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[12:28] |
mIEKAL |
not for me at all,
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[12:28] |
mIEKAL |
its
about listening & the space between words sounds images
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[12:28] |
David |
The collab becomes as much about the interaction of minds as about the resulting object
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[12:28] |
mIEKAL |
that is where the imagination is located.
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[12:29] |
mIEKAL |
Ive never been very object oriented anyway, tho Ive produced my share of books tapes videos cds etc.
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[12:29] |
mIEKAL |
bill do I answer yr question?
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[12:30] |
billseye |
yeah, i like the way it suggests concentrating the energy externally, in or between language sound image
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[12:30] |
mIEKAL |
elizabeth & I have worked on a few things together.
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[12:31] |
Surd |
Welcome, elizabeth.
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[12:31] |
mIEKAL |
like duncan says responsibility is
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[12:31] |
mIEKAL |
the ability to respond
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[12:31] |
mIEKAL |
oddly tho, or maybe predictably, Ive done very little collaborating with men
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[12:32] |
mIEKAL |
alan, is one of the first men Ive worked on a project with
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[12:32] |
Surd |
How is that project going? What is it?
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[12:32] |
mIEKAL |
well its alan's project, & Im a part of it, so maybe collaboration is the wrong word for it.
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[12:33] |
billseye |
how do you relate this kind of relocation of self through collaboration to the "egoless" writings of folks like Mac Low -- does collaboration work a similar effect of focusing attention on the material?
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[12:33] |
David |
this is the project at trace?
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[12:34] |
mIEKAL |
the ego politics is largely what defines the success of any collaboration
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[12:34] |
mIEKAL |
chance operation is only one way to "side step" those politics.
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[12:34] |
elizabeth |
(thanks Surd for welcome -- I am in & out of here tonight i'm afraid)
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[12:34] |
billseye |
yeah i agree
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[12:35] |
mIEKAL |
there will always be struggles associated with collaborating deeply with someone that arent all that different than living with the person
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[12:35] |
mIEKAL |
a whole grabbag of issues & relations that have to be developed, nurtured enough to provide a footing
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[12:36] |
mIEKAL |
for a creative project to take place.
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[12:36] |
Surd |
Like what?
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[12:36] |
billseye |
yes, that makes a lot of sense -- it's a social relation that grounds the process
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[12:37] |
mIEKAL |
trust, respect, communicability
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[12:37] |
Surd |
honesty
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[12:37] |
mIEKAL |
basic tenets of good interactions.
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[12:37] |
billseye |
there's an erotic engagement, as well, wouldn't you agree?
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[12:37] |
mIEKAL |
but sometimes on internet, because its not face to face it takes more of an effort to make sure you have those things right.
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[12:38] |
mIEKAL |
yes bill, it is. very much so.
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[12:38] |
elizabeth |
I am interested in how things that do not get discussed & agreed, and things that do, both equally determine the outcome of most collabs I have been involved in.
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[12:38] |
mIEKAL |
especially with those that you can only imagine what they are alike in real life.
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[12:38] |
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***STALION has joined #defib
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[12:38] |
STALION |
hi there people!
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[12:38] |
billseye |
yes, elizabeth, that's so true
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[12:39] |
STALION |
hi! |
[12:39] |
mIEKAL |
maybe
e, its the things that dont get observed have more of an
effect. |
[12:39] |
elizabeth |
Well
but the 'rules of engagement' are also important miekal
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[12:39] |
mIEKAL |
hi
STALION |
[12:39] |
billseye |
observed? you mean what's not available in the
interaction (a face, a voice, if e-based)? |
[12:39] |
mIEKAL |
absolutely |
[12:40] |
STALION |
hi
mlEKAL, how are u? |
[12:40] |
mIEKAL |
well,
especially when working with someone whose use of english might have
different assumptions & idioms |
[12:40] |
billseye |
right,
good example |
[12:40] |
mIEKAL |
its
easy to get segued into "what do you mean" kinds of threads
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[12:41] |
billseye |
right... |
[12:41] |
mIEKAL |
on the
other hand, pure writing often times transcends everything
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[12:42] |
billseye |
pure
writing? |
[12:42] |
mIEKAL |
if
collaborators can work themselves into a space where the energy
& momentum propels the writing forward |
[12:42] |
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***STALION has left #defib |
[12:42] |
mIEKAL |
I just
mean pure as opposed to sometime writing in a chat environment,
writing & discussing as you go. |
[12:42] |
mIEKAL |
only
writing |
[12:43] |
billseye |
i
see |
[12:44] |
Surd |
Are the
cybele pieces you mentioned collaborative? |
[12:44] |
mIEKAL |
I think
the kinds of collabs Id like to get going would work toward
transcending english |
[12:44] |
mIEKAL |
the
particular ones Im showing today are me & a vocalist named
Allegra Fi Wakest |
[12:45] |
mIEKAL |
we were
partners also for 2 years. |
[12:45] |
billseye |
m, i
think the kind of collaborative projects you do are really well done
and interesting -- i also see collaboration as one of the most
celebrated, sometimes aggrandized, methods in today's art
scene |
[12:45] |
mIEKAL |
you
mean like a collaboration for the sake of name dropping bill?
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[12:46] |
mIEKAL |
so you
can say you did a project with so & so? |
[12:46] |
billseye |
i see a
lot of "collaboration" oriented projects that are done just because
it's cool to do so these days -- at least that's the impression i
get -- wondering if you see that too? |
[12:46] |
mIEKAL |
I get
that feeling with a lot of what is called net.art |
[12:47] |
elizabeth |
And
sometimes people find these projects disappointing because their
expectations are different from the other participants'.
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[12:47] |
elizabeth |
disappointing to do, I mean. |
[12:47] |
mIEKAL |
"cybele's fall toward grace"
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[12:48] |
billseye |
yeah!
disappointing because folks go in with grand ideas and enthusiasm
(no problem, that's to be praised) but without thinking about the
social issues that miekal mentioned earlier -- eyes wide shut, in
other words -- and i've done this at times too, so i'm not setting
my self apart by any means |
[12:48] |
[brick] |
works
for me |
[12:49] |
billseye |
flash
miekal? |
[12:49] |
elizabeth |
I do
like this! |
[12:49] |
mIEKAL |
yes |
[12:50] |
mIEKAL |
so
these pieces run different speeds on different computers.
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[12:50] |
Surd |
How did the collaboration go here? |
[12:50] |
mIEKAL |
to a
point. |
[12:50] |
elizabeth |
Bill, I
think sometimes people think they can have 2 meetings & that's a
collaboration. |
[12:50] |
mIEKAL |
these
were the most basic collabs |
[12:50] |
mIEKAL |
I
recorded audio files of ali & then worked them into these
pieces. |
[12:50] |
billseye |
right
elizabeth -- it gets gimmicky and fetishized -- superficial
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[12:51] |
mIEKAL |
I would
not use these as the best examples of intimate collaboration.
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[12:51] |
billseye |
like
the flash lean you're taking lately, miekal, and what you're doing
with it... |
[12:51] |
mIEKAL |
the
literature nation project I did with maria damon is probably the
most intricate & involved. |
[12:51] |
billseye |
yeah,
can you take us to a representative sample? or summarize?
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[12:51] |
mIEKAL |
"telepresence"
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[12:53] |
mIEKAL |
bill,
there is an interview with bob holman at my bio site about
literature nation |
[12:53] |
billseye |
cool,
i'll check it... |
[12:53] |
mIEKAL |
this
next one is the cybele piece which has been getting the most
attention, it is so simple. |
[12:54] |
mIEKAL |
"5 eye cat audio-hypnosis"
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[12:54] |
Surd |
Is it
important for people to read your collaborations as collaborations
as opposed to solo work? |
[12:55] |
mIEKAL |
Im
interested, ultimately, in disappearing the Author. |
[12:55] |
mIEKAL |
that's
why Id like to do collabs with larger groups of people.
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[12:55] |
mIEKAL |
like
the love & war piece. |
[12:55] |
elizabeth |
This is
perhaps why the cat seems so good; the auditor can 'play' it
themselves. |
[12:55] |
mIEKAL |
or even
weak blood in some ways. |
[12:56] |
Surd |
What
does 'disappearing the author' mean? |
[12:56] |
billseye |
disappearing... go go go on -- isn't it more
like dispersing or collectivizing the author? |
[12:56] |
mIEKAL |
bill,
dispersing, like planting a handful of wheat, I like that.
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[12:57] |
mIEKAL |
collectivizing I have problems with
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[12:57] |
billseye |
why? |
[12:57] |
mIEKAL |
but
then I live in a community where we are having such struggles with
collectivization |
[12:57] |
mIEKAL |
trying
to be egalitarian about everything. |
[12:58] |
mIEKAL |
I like
collaborations where each person has strengths &
weaknesses |
[12:58] |
mIEKAL |
people
fill in where their niche is best filled. |
[12:58] |
billseye |
division of labor -- we're hoping to do that
with sunbrella too |
[12:59] |
mIEKAL |
"meme matter"
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[12:59] |
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