Chris Joseph: Amazing Net Art from the Frontier
I've been following Chris Joseph's work as a net artist since the late 1990's when he was living in Montréal--he's a Brit/Canadian living now in…
I've been following Chris Joseph's work as a net artist since the late 1990's when he was living in Montréal--he's a Brit/Canadian living now in…
I'm working on Aleph Null 2.0. You can view what I have so far at vispo.com/alephTouch/an.html . If you're familiar with version 1.0, you can…
Ted Warnell, as many of you know, is a Canadian net artist originally from Vancouver, long since living in Alberta, who has been producing net…
I put together a twenty minute video talking about a fantastic piece of digital poetry by Joe Keenan from the late nineties called MOMENT. Check…
vispo.com homepage Vispo.com is pretty much my life’s work, such as it is. Most of what I have created is available for free on the…
Aleph Null makes color music. Colors are tones. Musical notes are tones. Music is tones moving in time. Aleph Null makes changing color tones move…
I've just completed my first JavaScript work using the new HTML 5 canvas tag. It's called Aleph Null. It's a generative, interactive work of visual…
I've been seriously trying to learn JavaScript, CSS, the DOM (document object model) and jQuery recently, hopefully toward the production of some HTML 5 art…
A dbCinema maundering on the Vancouver riot: http://vispo.com/dbcinema/vanriot
The Club is a moving-image digital collaging of 57 images of selected North American politicians, business men, and psychopaths from the eighties till the present.
I've been working on version 3 of a JavaScript slideshow program I call Slidvid. I initially developed it to show screenshots of dbCinema in action.
Gregory Chatonsky is a French/Canadian artist who has created a significant body of net art. Here are a couple of pieces of his I found…
Various forms of art lend themselves to adaptation and subsequent mutation via their practice on the web. The graphic novel is obviously an excellent candidate.